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Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we will no longer have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.

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Kent du Pre has done such Bateau En Papier Facile focus on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have made an appearance occasionally, but the most extreme form occurs in Paper Wonder with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course strongly related to paper trimming. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.

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Uchiyama is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other
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to avoid the complexities of a model achieved exclusively by folding.

Fleur en papier


The slicing out of holes and so on. to indicate eyes and so on is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and obviously here we have an open-ended Talent. Supporting A way of Origami Crane Project moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its simplest form we might use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. Probably the most unusual form of 'display mechanics' that We am knowledgeable about is by Toyoaki Kawai.

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In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modelling particularly if foil has recently been used and one Origami Heart Easy can make sure of the material remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper is apparently Japanese in origin was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of moist moulding using paste in the preparation is talked about by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The retracts tend to be soft and are approaching sculpture rather than Origami.

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Within the Pliage Avion En Papier Facile most extreme mixtures of water and paper we are, of course , in the world of papier-mache which is obviously an open-ended art. DecoratingThe most basic step from your single colour is one side colored and one white or plain. A great deal of modern Origami uses this colour difference. A new delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A Origami Easy Animals more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for a unique model. The end of this process is evidently the decoration of the last model and so into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bow and finally string.

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Typically the associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded Mon Bateau De Papier Paul Hebert together but usually opened at the finish to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to symbolize some part of the pet and then brought together. The theory may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have came out for folding a monster from a amount of pieces of different sizes.

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