By this I mean that we no longer have a shut down system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Uchiyama is Origami Crane Necklace reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the legs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the
Kent du Pre has done such work on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have made an appearance occasionally, however the most extreme form occur in Paper Miracle with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course closely related to paper trimming. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent mention of the techniques is by Toshie Takahama who refers to it Origami Paper Michaels as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling That is now usual in animal folds to call for a final modelling particularly if foil has been used and one can make certain of the substance remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper appears to be Japanese in origin was demonstrated by Origami Crane Yoshizawa at a Convention in Luton. Another method of damp moulding using paste in the preparation is talked about by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds tend to be soft and that we are approaching statue rather than Origami.
Fleur en papier
The cutting out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously coping with technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which Un Bateau En Papier De 20m De Long Qui Flotte means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and obviously here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its easiest form we may use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or card. One of the most unusual form of 'display mechanics' that I actually am familiar with is by Toyoaki Kawai.
Bateau en papier
The associated arts are Weaving
cloth and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to represent some part of the animal and then Avion En Papier Planeur Pliage Facile brought with each other. The theory may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have made an appearance for folding a monster from a quantity of potager of different sizes.
Comment faire un avion en papier
Inside the most extreme combinations of water and paper we are, of course , in the world of papier-mache which is evidently an open-ended art. DecoratingThe simplest step from the single coloring is one side coloured and one white or plain. A great offer of modern Origami uses this colour difference. A new delightful example is Mary Avion En Papier Simple A Realiser Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a special model. The end of this process is evidently the decoration of the ultimate model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bows and finally string.